Category: News

  • Sanctuarium Maris Project launched in Tigbauan: A bold new step in Sea Turtle Nest Protection

    Sanctuarium Maris Project launched in Tigbauan: A bold new step in Sea Turtle Nest Protection

    In a powerful demonstration of community collaboration and environmental commitment, the West Visayas State University (WVSU) DagYoung Student Ambassadors, in partnership with the Positive Youth Development Network (PYDN), Department of Environment and Natural Resources (DENR), Federated Student Council (FSC), and the Development Communicators’ Society, officially launched the “Sanctuarium Maris: Sea Turtle Nest Protection Project” on January 30, 2025, in Barangay Atabayan, Tigbauan, Iloilo.

    The project, funded by the Embassy of France to the Philippines and Micronesia, highlights the university’s commitment to sustainability and volunteerism. As the internationalization arm of WVSU International and Local Linkages Office (ILLO), the DagYoung Student Ambassadors spearheaded the project, demonstrating the power of student leadership in fostering positive change for both local communities and the environment.

    A Vital Nesting Ground for Olive Ridley Turtles

    Barangay Atabayan is one of the key nesting sites for olive ridley turtles in the Philippines, yet it faces several challenges. These turtles, classified as vulnerable by the International Union for Conservation of Nature (IUCN), are often injured or stranded due to human activities like fishing. Between 2001 and 2011, over 100 turtles were reported stranded, many with injuries. In 2020 alone, 11 turtles were rescued, underscoring the urgency of conservation efforts.

    The Sanctuarium Maris project was conceived to address these challenges by not only protecting the turtles but also empowering the community of Atabayan to become active stewards of their natural resources.

    A ceremony of Commitment

    The ceremony was opened by Prof. Joesyl Marie Aranas, Division Chair, BS Development Communication of WVSU, who read the message from Ms. Edel Carmela Subong-Csoka, Director of the WVSU International and Local Linkages Office. In her message Ms. Edel emphasized the role of education and collaboration in environmental action. “The conceptualization of the Sanctuarium Maris is a product of collaborative concern and efforts that we would like to put into practice and to serve as a beginning of something that will continue in the generations to come”.

    Dr. Ma. Pilar S. Malata, Dean of the Office of Student Affairs, shared words of encouragement, emphasizing the importance of collective effort. “WVSU is proud to be a part of this important project, and we look forward to seeing the positive impact it will have on both the environment and the people of Atabayan,” she said.

    In a message of commitment, Edgardo M. Rostata, Assistant Regional Director of the Department of Environment and Natural Resources (DENR) Region VI, stressed the significance of governmental support in implementing sustainable environmental practices. “The success of Sanctuarium Maris lies in the collaborative efforts of local communities, educational institutions, and government agencies,” Rostata stated. He underscored the importance of public-private partnerships, noting that DENR’s involvement ensures that the project aligns with national environmental goals and standards. As a government agency, DENR provides critical resources, expertise, and oversight, reinforcing the long-term viability of the project.

    Cyresse Ann Achilleos, Strategic Support Unit Head of the Positive Youth Development Network (PYDN), also spoke on the pivotal role youth plays in the project. PYDN’s involvement is instrumental in ensuring that the youth of Barangay Atabayan are equipped with the knowledge and skills necessary to become advocates for sustainable practices.

    Dr. Ricky G. Abaleña, Project Consultant and adviser of Young Journalists’ Society, highlighted the importance of education and advocacy in this initiative. The Young Journalists’ Society plays a key role in documenting and sharing the project’s progress, further spreading awareness about environmental issues in the region.

    Hon. Edison Camiña, the Punong Barangay of Atabayan, highlighted the importance of the community’s active participation in conservation efforts. Camiña acknowledged that local leadership is essential for fostering a culture of environmental awareness and sustainability, expressing gratitude for the support of WVSU and its partners in this shared responsibility.

    The role of WVSU as a leading educational institution was emphasized by Johnric G. Vargas, Board Member of the Federated Student Council. As part of the university’s effort to integrate global and local issues, WVSU’s students are at the heart of the project, spearheading community education and conservation initiatives.

    Amabela Fiona Le B. Benid, a student ambassador and Special Projects head, presented the rationale behind the Sanctuarium Maris project. She outlined the critical role Barangay Atabayan plays as a nesting ground for the olive ridley turtle (Lepidochelys olivacea), a species listed as vulnerable by the International Union for Conservation of Nature (IUCN). She also addressed the challenges posed by high rates of stranded and injured turtles, noting that from 2001 to 2011, over 100 sea turtles were reported stranded in the area. In 2020 alone, 11 turtles were rescued from fish traps and other hazardous situations.

    The ceremony culminated with the signing of a Commitment Pledge and the symbolic ribbon-cutting to officially launch the project.

    A Model for Sustainable Conservation

    The Sanctuarium Maris project is a significant step forward in marine conservation. It offers a model for how universities, local communities, and environmental organizations can work together to protect vulnerable species while also benefiting the people who live alongside them.

    As sea turtles continue to nest along the shores of Atabayan, the project will serve as a testament to the power of community collaboration. With the combined efforts of WVSU, local government units, and residents, the Sanctuarium Maris project aims to create a lasting impact on the preservation of sea turtles and their habitats for generations to come.

    Through the vision of WVSU’s student leaders and the commitment of the Atabayan community, the Sanctuarium Maris project proves that even small, localized efforts can make a global difference in conservation and environmental sustainability.

    Story by Gladwyn Gustilo/ILLO

  • A feast of talents: WVSU students showcase creativity in University Days Competitions

    A feast of talents: WVSU students showcase creativity in University Days Competitions

    West Visayas State University (WVSU) upheld its tradition of excellence as students from various colleges and external campuses showcased their talents like master chefs refining their craft during the second and third days of the 2025 University Days.

    From group performances to visual arts and speech competitions in English, Filipino, and Hiligaynon, the events offered a feast of creativity-each performance and presentation meticulously crafted, much like a gourmet dish prepared with precision and passion.

    The competitions highlighted not only the students’ technical skills but also their dedication to their respective crafts, reinforcing WVSU’s commitment to fostering talent and innovation.

    Here is a flavorful serving of the official top five rankings from the different competitions, each as carefully crafted as a signature dish in this grand feast of talent:

    ENGLISH SPEECH CATEGORY


    CHARACTER IMPERSONATION

    1st Place – Dapog Manugsugba (COE)

    2nd Place – Dapog Manugsanlag (CON)

    3rd Place – Dapog Manuglapay (COP)

    4th Place – Dapog Manuglupak (ILS)

    5th Place – Dapog Manuglugaw (Lambunao Campus)


    FILIPINO AND HILIGAYNON SPEECH CATEGORY

    TALUMPATI

    1st Place – Dapog Manugbati (Himamaylan City Campus)

    2nd Place – Dapog Manuglechon (COD)

    3rd Place – Dapog Manugsugba (COE)

    4th Place – Dapog Manugtuom (CAS)

    5th Place – Dapog Manugpangat (COC)


    DAGLIANG TALUMPATI


    1st Place – Dapog Manugbati (Himamaylan City Campus)

    2nd Place – Dapog Manuglugaw (Lambunao Campus)

    3rd Place – Dapog Manugpakas (CBM)

    4th Place – Dapog Manugtuom (CAS)

    5th Place – Dapog Manugsanlag (CON)


    DEKLAMASYON SA FILIPINO


    1st Place – Dapog Manugpangat (COC)

    2nd Place – Dapog Manugsanlag (CON)

    3rd Place – Dapog Manuglupak (ILS)

    4th Place – Dapog Manugpakas (CBM)

    5th Place – Dapog Manugbati (Himamaylan City Campus)


    PAGKUKWENTO


    1st Place – Dapog Manugsugba (COE)

    2nd Place – Dapog Manugbusa (CICT)

    3rd Place – Dapog Manuglapay (COP)

    4th Place – Dapog Manugsanlag (CON)

    5th Place – Dapog Manuglagpang (COM)


    BINALAYBAY

    1st Place – Dapog Manugpangat (COC)

    2nd Place – Dapog Manuglugaw (Lambunao Campus)

    3rd Place – Dapog Manuglupak (ILS)

    4th Place – Dapog Manugsanlag (CON)

    5th Place – Dapog Manuglagpang (COM)


    SUGILANON

    1st Place – Dapog Manugsugba (COE)

    2nd Place – Dapog Manugsanlag (CON)

    3rd Place – Dapog Manugpangat (COC)

    4th Place – Dapog Manugpakas (CBM)

    5th Place – Dapog Manugkilaw (Janiuay Campus)


    VISUAL ARTS CATEGORY


    TRADITIONAL PAINTING

    1st Place – Dapog Manugsugba (COE)

    2nd Place – Dapog Manugpangat (COC)

    3rd Place – Dapog Manuglugaw (Lambunao Campus)

    4th Place – Dapog Manugtuom (CAS)

    5th Place – Dapog Manugpakas (CBM)


    PHOTO CONTEST

    1st Place – Dapog Manugtuom (CAS)

    2nd Place – Dapog Manugsugba (COE)

    3rd Place – Dapog Manugbusa (CICT)

    4th Place – Dapog Manugpangat (COC)

    5th Place – Dapog Manugbati (Himamaylan City Campus)


    CHARCOAL AND PENCIL DRAWING

    1st Place – Dapog Manugbusa (CICT)

    2nd Place – Dapog Manugsugba (COE)

    3rd Place – Dapog Manugtuom (CAS)

    4th Place – Dapog Manugbati (Himamaylan City Campus)

    5th Place – Dapog Manugmasa (CAF)


    ON-THE-SPOT POSTER MAKING

    1st Place – Dapog Manugsanlag (CON)

    2nd Place – Dapog Manuglapay (COP)

    3rd Place – Dapog Manugpakas (CBM)

    4th Place – Dapog Manugtuom (CAS)

    5th Place – Dapog Manugbusa (CICT)


    DIGITAL ART PAINTING

    1st Place – Dapog Manugbusa (CICT)

    2nd Place – Dapog Manugsanlag (CON)

    3rd Place – Dapog Manuglagpang (COM)

    4th Place – Dapog Manugtuom (CAS)

    5th Place Dapog Manuglupak (ILS)


    GROUP CATEGORGY

     


    SHORT AND SWEET PLAY

    1st Place – Dapog Manuglapay (COP)

    2nd Place – Dapog Manugsugba (COE)

    3rd Place – Dapog Manugsanlag (CON)

    4th Place – Dapog Manugpakas (CBM)

    5th Place – Dapog Manugkilaw (Janiuay Campus)


    LIPSYNC BATTLE

    1st Place – Dapog Manugsugba (COE)

    2nd Place – Dapog Manuglechon (COD)

    3rd Place – Dapog Manuglapay (COP)

    4th Place – Dapog Manugsanlag (CON)

    5th Place – Dapog Manugbati (Himamaylan City Campus)


    The awarding ceremony on Jan. 30 at the university’s Cultural Center capped off the Sulong Film Festival, celebrating the exceptional talent and dedication of the participants.

    As the final day of University Days neared, excitement reached a fever pitch. Colleges and external campuses had an insatiable appetite for victory, eagerly awaiting the results in musical performances, newscasting, radio drama, and dance competitions-each event a carefully crafted course in this grand banquet of talent.

    Story by John Gabriel Nietes, Kurson Lapating, and Angel Zamora/Dynamics Publication

    Photos by LINK.exe

  • Dapog Manuglagpang serves the better dish, topples Dapog Manugtuon in 2025 Banggianay

    Dapog Manuglagpang serves the better dish, topples Dapog Manugtuon in 2025 Banggianay

    Dapog Manuglagpang (College of Medicine) ate and left no crumbs as the trio of Maio Vendell Sabidong, Patrick John Benedict Limos, and Earl Cedric Lagapa toppled last year’s champions, Dapog Manugtuom (College of Arts and Sciences), in their fight to the top spot of Banggianay 2025.

    In this ultimate battle of wits and words, the two best teams argued whether the mandatory Reserve Officers’ Training Corps (ROTC) should be revived as outlined in Senate Bill 2034. Dapog Manuglagpang served on the affirmative side, while Dapog Manugtuom was on the negative side.

    The finals round was opened by USC Councilor and University Days event chairperson Rixfel Aperong. She emphasized the value of debates in challenging personal beliefs and encouraging exploration of new ideas – a key indicator of someone’s knowledge of a certain topic.

    The debate was opened with Manuglagpang’s necessity speaker, Maio Vendell Sabidong, who called for a “safer, stronger and more prepared Philippines” as he outlined how tensions with China along with the sheer number of disasters the country faces necessitate the training, discipline, and civil service that ROTC provides.

    In response, Dapog Manugtuom’s necessity speaker, Kyla Mae Yapendon countered with her own set of arguments against Mandatory ROTC. She argued that our national defense encompasses more than just military training, further adding that Mandatory ROTC should only be reinstated in response to extreme societal needs. Instead, she proposed that we need modern military equipment – not mandatory ROTC.

    Patrick John Benedict Limos, Dapog Manuglagpang’s beneficialityspeaker, then took the podium to outline the clear benefits that reviving the program would have. He cited the country’s lack of preparedness in both national defense and disaster management, reinforcing Sabidong’s argument that ROTC would help with both.

    He acknowledged the horrors and abuses the previous mandatory ROTC program caused but swiftly argued that due to current laws, like the Anti-Hazing Law and the Safe Spaces Act, as well as the built-in regulatory committee outlined within the bill, enough checks and balances are in place to prevent such tragedies from reoccurring.

    In response to Limos’ beneficiality speaker, Gelou Jane Bea Alilay quickly rebutted, saying that current NSTP already addresses problems related to disaster preparedness, citing Red Cross volunteers. She also pointed out previous issues linked to the Mandatory ROTC such as physical abuse, hazing and discrimination. She further argued that NSTP provides more diverse options which are centered around peace, collaboration, and nation building.

    The duo also went head-to-head in two interpellation rounds where, amidst a flurry of questions, Limos proved to be a tough nut to crack as he got Alilay to agree that the AFP’s numbers are not sufficient.

    Manuglagpang’s practicability speaker Earl Cedric Lagapa hammered home their point as he highlighted how enforcing mandatory ROTC is not only feasible but supported, citing statistics and adding that it would streamline the allocation of resources due to the reduced number of programs.

    “[Mandatory ROTC is] not a repeat of the past but a reformed and accountable program,” Lagapa declared.

    As the last to speak, Vaness Langrio, Manugtuom’s practicability speaker, argued against the statements of Lagapa, stating that treaties were not existent back when World War II happened. She also challenged the reliability of the data presented by the affirmative side, citing a “more reputable” survey with 20,000 respondents which resulted in the majority opposing the revival of Mandatory ROTC.

    Further, she said that reviving Mandatory ROTC is impracticable due to logistical problems, saying that Mandatory ROTC would only add to the administrative burden to responsible agencies once implemented. She concluded that the government should instead focus more on programs that could benefit our nation and our system.

    The two faced off in a fast-paced interpellation round where Langrio questioned the program’s effectiveness and the affirmative’s confidence in the program, considering it will begin with pilot testing. Lagapa kept cool, pointing out how all laws begin with pilot testing, and it is not a lack of confidence an opportunity to improve and learn from past mistakes.

    Langrio closed off the negative side’s arguments by pointing out the flaws in their opponents’ reasoning, particularly with them misinterpreting facts, ignoring current geopolitical contexts and possible priority misalignment.

    Her speech echoed their bench’s call for a “diverse pathway to national service”, giving all students the right to choose.

    “Choice without effectiveness is meaningless,” refuted Sabidong in his rebuttal speech as he dismantled the negative side’s arguments, affirmed their points and, despite having half their numbers, cinched the debate.

    He closed the match with a final shot, saying, “In Banggianay 2025, we served the better dish.”

    While Dapog Manuglagpang emerged victorious, Vaness Langrio of Dapog Manugtuom served as the match’s best speaker, while Maio Vendell Sabidong of Dapog Manuglagpang was named the best debater.

    In addition, awards for the best speakers and debaters from the semi-finals were also presented. Below are the results:

    Match 1 (COM vs. CON)

    Best Speaker – Beatrice Yvonne Sorogon – Practicability Speaker (CON)

    Best Debater – Patrick John Benedict Limos – Beneficiality Speaker (COM)

    Match 2 (CAS vs. COC)

    Best Speaker – Kyla Mae Yapendon – Necessity Speaker (CAS)

    Best Debater – Kyla Mae Yapendon – Necessity Speaker; Gelou Jane Bea Alilay – Beneficiality Speaker (CAS)

    Meanwhile, here are the overall standings of the 2025 Banggianay:

    5th place – Integrated Laboratory School
    4th place – College of Nursing
    3rd place – College of Communication
    2nd place – College of Arts and Sciences
    1st place – College of Medicine

    As the event wrapped up, Federated Student Council Secretary Keven Rizzo Sitjar expressed his hopes that future editions of Banggianay would return independently, incorporating both Oxford-Oregon and Asian Parliamentary debate formats.

    Story by Paul Asi Hitalia and Jeraldine Miranda/The Courier

    Photos by Cassandra Alexa Ciasico

  • Rekindled passion: Taga-Ed student returns to the spotlight as Pennywise

    Rekindled passion: Taga-Ed student returns to the spotlight as Pennywise

    The eerie laughter of Pennywise, the infamous clown from Stephen King’s It, echoed through the West Visayas State University Cultural Center (WVSUCC), sending shivers down the spines of the audience. At the center of the chilling spectacle stood Ralph Michael Condino, a Bachelor of Secondary Education in Mathematics student, who brought the fear-feeding character to life during the University Days competition.

    Dressed in a meticulously crafted Pennywise costume, Condino emerged from the shadows, holding a crimson balloon. His every sinister grin and unsettling gesture captivated and terrified the audience, fully embodying the nightmarish character. For Ralph, the stage was more than just a performance space—it was home.

    His love for theater began in ninth grade when he first stepped under the spotlight. For three years, he immersed himself in the world of scripts, rehearsals, and monologues, finding joy in delivering lines, adopting personas, and evoking emotions from his audience. However, the COVID-19 pandemic forced him to put his passion on hold, leaving him unable to perform for five years.

    That changed when he won the College of Education (COE) Fun Days competition, earning the honor of representing the COE in the university-wide event. With this opportunity, Ralph was determined to give his all, knowing it was likely his last time on stage before graduating.

    Preparing for the role of Pennywise required dedication. “If you can’t imitate his voice, it’s hard to bring Pennywise to life,” Ralph shared, emphasizing his focus on mastering the character’s distinct tone. Using a throat voice while singing helped him perfect the sinister speech patterns. Though he had portrayed characters such as Aladdin and Sebastian before, he admitted that playing Pennywise was his favorite.

    As he prepared to step on stage, he reminded himself, “I’ll give it my all, and regardless of the outcome, I’ll be happy knowing I did my best. That way, I won’t have any regrets after the performance.”

    His dedication paid off. As the awarding ceremony began, anticipation filled the air. The moment his name was announced as the champion, the cultural center erupted with cheers. Ralph’s heart pounded as he took in the overwhelming support from his friends, mentors, and fellow COE students. His victory was not just his own—it was a shared triumph with those who believed in him.

    “Michael’s story is a testament to perseverance and passion,” a faculty member remarked. “When you pour your heart into something, the outcome becomes secondary to the fulfillment you gain from the journey.”

    With his love for performance reignited, Ralph’s final bow on the WVSU stage was not just a farewell but a celebration of a passion that, once rekindled, burns brighter than ever.

    Story by Sherylyn Mae Bonotano, Leigh Diane M. Mandado, and Kenea Hope Dellava/Specialized Beat Reporting Class under Dr. Hazel P. Villa

    Photos by Leigh Diane M. Mandado/Specialized Beat Reporting Class under Dr. Hazel P. Villa

  • WVSU rewinds time, bringing Filipino traditional games to life with a burst of fun and pride

    WVSU rewinds time, bringing Filipino traditional games to life with a burst of fun and pride

    The West Visayas State University (WVSU) campus came alive with excitement and nostalgia during the University Days 2025, as faculty and staff from all campuses revisited their roots through the Laro ng Lahi on January 30.

    This special segment, dedicated to traditional Filipino games, aimed to foster camaraderie, cultural appreciation, and a sense of national pride among participants. The event saw a remarkable turnout, with students of all ages engaging in fun-filled activities that highlighted the importance of preserving Filipino heritage.

    The university grounds transformed into a lively arena for iconic games such as patintero, piko, tumbang preso, and sipa. Spectators cheered on participants as they competed in these timeless games, once staples of childhood in Filipino communities. The spirited competition, paired with laughter and friendly banter, reflected the strong sense of unity and pride within the WVSU community.

    Story by Abemae Alava and Christine Marie Mapa/Dynamics Publication
    Photos by LINK.exe

  • A sweet victory: Dapog Manugpangat prevails at the Sulong Film Fest

    A sweet victory: Dapog Manugpangat prevails at the Sulong Film Fest

    In a spirited competition of visual storytelling at the 2025 DIGAMO short film contest, Dapog Manugpangat (College of Communication) emerged victorious with their entry “Sugilanon sa Kurbada.” They brought home the most-coveted trophy that the College had been eyeing for years, along with multiple special awards.

    The winning masterpiece explores the journey of a budding filmmaker, taking the audience into an insightful perspective behind the scenes. It also features a variety of characters, each representing a different taste of life that resonates with many Ilonggos.

    “As a director, this is my third and last time joining; at last, COC has finally won again after so many years. It still hasn’t fully sunk in, but I’m happy and satisfied knowing that we were able to express what we wanted through this film,” said John Angelo Arroyo, this year’s Best Director awardee.

    He also extended his gratitude to his production team, LENSE, who worked closely with him to bring this meaningful cinematic experience to life.

    “This win would not be possible without them; I’m proud because we finally brought back the crown in the short film category to COC, where it should be,” he added.

    Meanwhile, Dapog Manugsugba (College of Education) clinched the second place by portraying the hopes and dreams of a family through an emotional ride with their entry, “Layang sa Hangin.” Securing third place was Dapog Manugsanlag (College of Nursing) with “Anna, To Me,” which depicts a romantic thrill with a savory twist of flavors.

    This year’s Sulong Film Festival is a testament to student filmmakers and their dedication to contributing to cultural memory.


    BEST PICTURE AWARDS

    Champion: College of Communication

    1st runner-up: College of Education

    2nd runner-up: College of Nursing

    3rd runner-up: College of Arts and Sciences

    4th runner-up: College of Information and Communications Technology


    MAJOR AWARDS

    Best Picture: College of Communication

    Best Screenplay: College of Communication

    Best Cinematography: College of Communication

    Best in Musical Score and Sound Design: College of Communication

    Best in Editing: College of Communication

    Best Director: College of Communication (John Angelo Arroyo)

    Best Performance in a Lead Role: College of Education (Divine Grace Monte) and College of Arts and Sciences (Dick Matthew Montaño)


    SPECIAL AWARDS

    Best Poster: College of Medicine

    Best in Teaser Video: College of Education

    Special Jury Citation: College of Communication


    Words and photos by Grace Salumag/The Mediator

  • TV newscasting competition highlights students’ broadcasting skills

    TV newscasting competition highlights students’ broadcasting skills

    Fifteen participants showcased their articulation skills during the TV Newscasting Competition held on Jan. 30, 2025, at the College of Communication TV Laboratory.

    As part of West Visayas State University’s commitment to equipping students with versatile skills, the event was an opportunity for colleges and external campuses to demonstrate confidence in news delivery.

    “It’s my first time joining an actual newscasting competition, so I take this as an opportunity to practice,” said Jan Loyd Abellano, a senior broadcasting student from Dapog Manugpangat, after his performance.

    The three-hour competition tested participants’ fluency and composure as news anchors. Each competitor had five to seven minutes to select and present a news script covering local, national, or international stories.

    Event organizer Gilbert Cerillo said he is eager to see the new winners but emphasized a broader goal. “Compared to last year, we want to see improvements. Our objective is to help students disseminate reliable and unbiased news,” he said.

    Renowned local media professionals judged the competition, evaluating participants based on clarity, accuracy, delivery, and overall screen presence.

    Story by Kathleen Pulido/The Mediator
    Photos by Aiya Cantomayor and Grace Divine Salumag/The Mediator

  • From retired teacher to jubilarian homecoming star: Victoria Palomar’s timeless journey

    From retired teacher to jubilarian homecoming star: Victoria Palomar’s timeless journey

    While the years may have weighed down on her every step, Victoria A. Palomar still made each footfall up the stairs to the stage with iron-clad conviction. Collecting her Outstanding Alumni Award in front of multiple generations of Taga-West (most of whom she outranked in seniority), she carried herself with the grace and strength known only by those who have never backed down in life. She remained smiling—one bright enough to see from across the hall—as she was assisted off the stage, back to her wheelchair, then back to her table with her fellow awardees. In that moment, there was no doubt as to whom this article would be written for.

    This was during the 2025 Grand Jubilarian Alumni Homecoming of the West Visayas State University in the evening of Jan. 28, 2025, at the Iloilo Convention Center organized by the WVSU Federated Alumni Association, Inc. and the WVSU Office of Alumni Affairs as part of the 2025 University Days celebration that ran from Jan. 27 to 31, 2025.

    An unexpected recognition

    There was much hesitation in approaching Victoria for an interview, cautious to enter the aura of reverence surrounding her. But much of that hesitance was for naught as the question was met with an enthusiastic “yes,” coupled with that same bright smile which, upon seeing up close, brought to mind the thought of the countless people it must have blessed across the decades. There is much gratitude for the unseen machinations that delivered that smile all the way from Houston, Texas, to the Iloilo Convention Center, thus making this story possible.

    Victoria arrived in the Philippines on Jan. 16, the same day she turned 79, not with the intention of attending the Grand Jubilarian Alumni Homecoming (as she had not even been informed about it) but for a vacation. She states that she only answered the call confirming her as one of 41 Outstanding Alumni when her phone rang the second time around. She was told that her submission as one of the awardees received a score of almost 100% (95, to be precise), which makes complete sense considering such a storied career—one she was able to chronicle for awards consideration thanks to her “being a hoarder,” as Victoria says her daughter had jokingly noted, because she has kept every important document of hers since high school.

    A lifetime of dedication

    After graduating in 1967 with a Bachelor of Science in Education, majoring in Elementary Education, her first assignment as a regular teacher was in Bayuyan Elementary School in President Roxas, Capiz. This was in a mountainous barrio without public transport except motor cycles or cargo trucks used for hauling sugar cane. She went on to teach there as a Grade 1 teacher for a year before she was transferred to San Nicolas Elementary School in Pilar, Capiz until 1972. By virtue of earning her Master of Arts in Education from the now-defunct Ortañez University in 1981, she attained the status of Master Teacher II long before ending her tenure teaching in Manila, where she served in Lakan Dula Elementary School until 1993.

    During this period, she was awarded numerous accolades, such as the 1989 NCR Mathematics Teacher Award from the Mathematics Teachers Association of the Philippines (regional), the KAMAGUPAT Teacher of the Year and the Outstanding City Employee Award in 1990 (local), and even the Metrobank Teacher of the Nation Award in 1992, just to name a few.

    Unfortunately, she opted for early retirement in 1994 at the age of 48 after her principal denied her request for a sabbatical to pursue a doctoral degree. This led her to shift gears toward the City College of Manila (now Universidad de Manila), where she became the chairman of its Social and Behavioral Sciences Department and the coordinator of the Psychology Department. She later migrated to the United States and taught for 11 years at the K. Smith Elementary School under the largest school district in Houston, Houston Independent School District (HISD), where she served as the Math Specialist, Ancillary and Lead Teacher. When the Math Ancillary was dissolved, she was tasked to organize the Science Lab and was assigned as Science Ancillary and Lab teacher until her retirement on June 3, 2011.

    A journey of perseverance

    From the barrio to the city, from the city to the U.S., Victoria never backed down. She spoke about proving wrong the stereotypes Manileños held about the intelligence of people from the provinces. The moment she felt that her professional growth was hindered, she pursued another venture.

    This conviction did not apply only to fighting to prove herself, but also in her practice of giving a chance to all her students who needed the most guidance, love, support, and care. On that note, Victoria also gushed about the support she has received in all her victories from her husband, whom she met in university and has been with ever since.

    Gratitude for her alma mater

    “I feel I owe much to my alma mater. I could not have led this life that I have now if not for West Visayas State College [WVSU’s former name]. I owe so much to this university. It shaped me into this well-balanced personality. It shaped me to be strong, to be assertive, and to not give up easily… It helped me in my profession, in my family life, even in rearing my five children, and even in dealing with people.”

    A celebration of time well spent

    Speaking with Victoria has perished the thought that college reunions are for pondering over time that you’ve lost. In truth, they are for celebrating the life that you have lived so far. She mentioned that she loved seeing retirees being happy and content. Speaking with her gives you that exact sentiment. Speaking with her, you could see how aging is truly one of the most beautiful gifts you could ever receive.

    Time will render your bones weary, but that is merely proof of the things you’ve done and the places you’ve gone. Time will trace lines across your face, but that is merely how your cheeks keep count of how many times you have smiled. Time will paint your hair like summer clouds, but that is only proof of the wisdom you carry with you. Time is nothing against a determined soul—because as Victoria has shown, it only makes your soul shine brighter.

    Story by Ryde Rendell Ponsaran and Trixie Aurelia Ningas/Specialized Beat Reporting Class under Dr. Hazel P. Villa

    Photos by Dwiniane Keith Escoltor/Specialized Beat Reporting Class under Dr. Hazel P. Villa

  • Lampas sa kasarian: Isang deklamasyon ng pagpapalaya

    Lampas sa kasarian: Isang deklamasyon ng pagpapalaya

    Napuno ng talento, palakpakan, at hiyawan ang NAB Function Hall sa ikatlong araw ng University Days 2025, Enero 29, kung saan ipinamalas ng mga kalahok mula sa iba’t ibang kolehiyo at kampus ang kanilang husay sa deklamasyon.

    Isa sa labing-apat na kalahok si Joedel Nollaga mula sa College of Communication, na nagbigay-buhay sa piyesang Totoy, Ang Gymnast. Taglay ng kanyang pagtatanghal ang makapangyarihang mensahe na hindi dapat nakatali ang pangarap ng isang tao sa kanyang kasarian. Itinampok niya ang kwento ng isang anak na mas piniling maging gymnast sa halip na sundin ang kagustuhan ng kanyang ama na maging basketbolista.

    Ayon kay Nollaga, iniaalay niya ang piyesang ito sa mga taong nakararanas ng diskriminasyon dahil hindi tanggap ang kanilang tunay na pagkatao at hindi ito naaayon sa mga itinakdang pamantayan ng lipunan.

    Sa kabila ng kaba, masaya at magaan sa loob ni Nollaga ang kanyang pagtatanghal, lalo na’t batid niyang may mga nakarelate sa kanyang mensahe. Higit pa sa isang patimpalak, naging layunin niyang hikayatin ang madla na ipagmalaki ang kanilang kasarian at ipaglaban ang kanilang mga pangarap.

    Hindi naging madali ang kanyang paghahanda. Aminado siyang hindi siya sanay sa pagsasaulo ng piyesa at nakaugalian niya ang pagdaragdag o pagbabawas ng linya. Sa entablado, may mga bahaging kanyang nakalimutan, ngunit matagumpay niyang nairaos ang pagtatanghal sa pamamagitan ng pag-improvise.

    Sa husay niyang magpalit ng emosyon at karakter, pati na rin sa malinaw at makapangyarihang pagbigkas ng bawat linya, umani siya ng paghanga mula sa mga manonood. Higit pa sa isang palabas, ang kanyang pagtatanghal ay nagbigay-inspirasyon sa iba—isang paalala na ang tunay na tagumpay ay hindi nasusukat sa pagtanggap ng iba kundi sa pagtanggap at pagpapahalaga sa sariling pagkatao.

    Sa pagtatapos ng kanyang pagtatanghal, isang mahalagang aral ang iniwan ni Nollaga sa entablado: “Ang pagiging totoo sa sarili ay ang tunay na tagumpay.”

    Kwento nina paula Yvonne Alavarta at Hershi Loryn Fusin/Specialized Beat Reporting Class sa ilalim ni Dr. Hazel P. Villa
    Inedit ni Christine Joy Badinas/SILAK Media
    Larawan ni Paula Yvonne Alavarta/Specialized Beat Reporting Class sa ilalim ni Dr. Hazel P. Villa

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  • Innovation and creativity reign supreme in 2025 U-Days contemporary dance competition

    Innovation and creativity reign supreme in 2025 U-Days contemporary dance competition

    A fusion of creativity, mastery, and innovation turned the West Visayas State University (WVSU) Cultural Center into a spectacle of movement as Taga-Wests showcased their formidable talents in the 2025 U-Days Contemporary Dance Competition.

    Far from just a contest, the event became an all-out showcase of artistry, with performers bringing their personal narratives to life through powerful choreography. Each routine was a story, filled with emotion and executed with precision, making the night an unforgettable celebration of dance.

    Expressions of identity and self-discovery

    Dapog Manugbulad opened the competition with a hauntingly beautiful performance set to melodic synth waves. Their synchronized, mechanical movements symbolized the struggle for individuality in a conformist world. As they ascended the stage, their choreography underscored the tension between societal expectations and personal freedom.

    Dapog Manugtuom followed with a striking interpretation of self-discovery. The performance centered on a solo dancer, whose journey of searching for meaning unfolded through fluid movements and powerful leaps. A near-missed landing became part of the story—an embrace of human imperfection as part of the journey toward self-realization.

    Stories of love and loss

    Dapog Manugpangat delivered an emotional tribute to family and fleeting moments with a heartfelt performance set to Kenny Rogers’ Through the Years. The narrative followed an elderly man cherishing his time with his granddaughter—only for the unexpected loss of the child to leave him in profound sorrow. The piece ended in a tearful embrace, fading to darkness.

    Dapog Manuglapwa captivated the audience with a routine centered on resilience and self-identity. Dancers moved to somber piano notes before the music faded to silence. As the beat slowly returned, motivational voices played in the background, reinforcing a message of triumph over adversity.

    Symbolism and social commentary

    The champions, Dapog Manuglugaw, presented a breathtaking religious allegory. Clad in black veils and red strings, dancers depicted suffering and sacrifice, evoking the Passion of Christ. The performance crescendoed with a solitary dancer donning a crown of thorns and carrying a cross—a powerful visual that sent chills through the audience.

    Dapog Manugbati took a different approach, using raw energy and controlled chaos to portray collective struggle. Their synchronized yet frenzied movements mirrored the turmoil of a society crying out for justice, capturing the essence of protest through dance.

    Dapog Manugsugba explored themes of identity, featuring a dancer who desperately clung to a colorful flag as an ensemble tried to strip him of it. Eventually, the performance transformed into an empowering declaration of self-acceptance, with the dancer triumphantly unveiling a shirt emblazoned with I AM ME.

    Advocacy through movement

    Dapog Manugsanlag tackled stigma and compassion with a thought-provoking performance on HIV awareness. The routine featured a seamless transition from ballet to contemporary dance, revealing messages such as End the Stigma and Bring Forth Compassion. The closing tableau paid tribute to La Pietà, emphasizing love and acceptance.

    Dapog Manugmasa brought a mystical aesthetic to the stage with elaborate costumes and ethereal movements. The performance transformed midway into a fiery, high-energy dance, symbolizing hope and renewal.

    Dapog Manugkilaw delivered one of the most unique pieces of the night, portraying schoolgirls in red ties moving in eerie synchronization to Gotye’s Somebody That I Used to Know. The routine suggested themes of conformity and the bittersweet passage of time, culminating in a symbolic graduation scene.

    Pushing the boundaries of contemporary dance

    Dapog Manugpakas delivered a high-intensity routine filled with powerful movements and theatrical elements. Their choreography embodied flames—both literal and metaphorical—as dancers struggled against an unseen force, ultimately surrendering to become a single blazing entity.

    Dapog Manuglapay closed the competition with a compelling commentary on societal expectations. Dancers, dressed as workers from various professions, moved with technical precision as they portrayed the weight of systemic pressures. In a moving finale, they linked arms and walked forward together, symbolizing unity and resilience.

    A celebration of talent and passion

    The 2025 U-Days Contemporary Dance Competition proved that Taga-Wests are more than just academically gifted—they are artists, storytellers, and visionaries. With passion, talent, and the ability to push creative boundaries, they showcased the transformative power of dance in telling stories that resonate beyond the stage.

    Story by Miles Guancia/the Courier
    Photos by Cassandra Alexa Ciasico